The Swetaranyam Sisters' research is framed around Carnatic music, especially with a chronological and analytical approach. One of their highlighted areas of contribution is their work on rāgas.
Their approach isn't just about singing or listing ragas, but more about:
They trace the evolution of ragas across time, connecting how a rāga was interpreted before, during and after the Trinity period. (Tyagaraja, Muthuswami Dikshitar, Shyama Shastri)
"Understanding the historical context and evolution of each rāga provides deeper insight into its essence and performance practices."
They compare the same rāga as seen in different schools of music —e.g., how Narayani is treated differently in a kriti of Tyagaraja versus Dikshitar.
"Each composer brings their unique perspective to a rāga, revealing its multifaceted nature and creative possibilities."
They group ragas based on moods, deities, and occasions (like Navaratri, temple rituals, etc.), creating thematic journeys.
"Rāgas are not isolated entities but part of a larger spiritual and cultural tapestry that connects music with life's sacred moments."
They don't just document ragas in text; their performances integrate scholarly explanation with demonstration, showing how gamakas, sangatis, and manodharma vary across time.
"Theory comes alive through performance, making complex concepts accessible and meaningful to all audiences."
Their work is designed for accessibility—students, rasikas, and researchers can see rāgas not as isolated entities, but as living, evolving traditions.
Comprehensive learning materials with historical context and performance examples
Deep insights into the emotional and spiritual dimensions of rāgas
Systematic documentation and analysis for academic study
The Swetaranyam Sisters' research on rāgas represents a unique blend of scholarly investigation and performance artistry. Their work bridges the gap between academic study and musical practice, making the rich traditions of Carnatic music accessible to all levels of understanding.